Thomas McKnight is an artist somewhat out of sync with his times.
Born in Lawrence, Kansas, in 1941, by generation he should have been
an early pop artist or a late neo-expressionist. But he came of age
artistically during the 1970s, when art had practically done itself in
with minimalism and conceptual experimentation. His work, full of
color and image, seems to be a reaction to that gray decade.
McKnight discovered art at about thirteen when his mother gave him a
set of oil paints, and his first painting--a snowy castle on a
hill--was not unlike some of those he still creates. When he was
sixteen, McKnight's choice of career was confirmed by the famous
designer and art director of Harper's Bazaar, Alexey Brodovitch, who
told him that he "had it."
After growing up in various suburbs of Washington, D.C., Montreal, and
New York, he attended Wesleyan University, a small liberal arts
college in Middletown, Connecticut, where he was one of only five art
majors. Perhaps this fostered his independent, even eccentric,
approach to the art "isms" of his time. He spent his junior year in
Paris where he developed a lifelong love of European civilization.
After a year of graduate work in art history at Columbia University,
McKnight decided against pusuing a career as an art professor or
curator. In 1964 he found a job at Time magazine where he would work
for eight years, interrupted by a two-year stint in the army in Korea.
McKnight held many jobs at Time, beginning as a file clerk and ending
by writing advertising copy.
During a vacation in Greece in 1970, McKnight realized that life in a
corporation was not for him. He had been reviewing art for a radio
program around that same time, and it became clear to him that the art
currently popular was not his cup of tea either. Two years later,
with the cushion of his profit-sharing plan, he left Time, summered on
the Greek island of Mykonos, and commenced painting in earnest.
His work began to sell, although slowly, in America and Germany. In
the early 1980's he discovered a larger audience by creating limited
edition serigraph prints. By then he had found that, for his work,
the silkscreen technique was a natural choice--its brilliant colors
and clean shapes echoed his own visions.
In 1979 in Mykonos, McKnight finally met the muse he had been
searching for in Renate, a vacationing Austrian student. The couple
married the following year and Renate moved to America.
Throughout the 1980's McKnight's art became increasingly popular, and
by the end of the decade he was at the top of his field: four books
(including one in Japanese) were devoted to his work, and hundreds of
silkscreen editions sold. His art was perhaps even more well-known in
Japan, where he was commissioned to paint a series of views of Kobe
for the city's 1993 fair.
Today, McKnight and his wife live in Palm Beach, Florida, in a
Mediterranean-style house surrounding a courtyard garden filled with
tropical flowers and a fountain. His happiest hours are spent in his
tower studio, creating a steady stream of pictures of imaginary and
real Arcadias. The search is never ending--there is always another
vision to capture that might be better than the last.
Thomas McKnight's biography is reprinted courtesy of the book
Voyage to Paradise: A Visual Odyssey by the artist with text by
OTHER WORKS BY THE ARTIST
Four sceens from Thomas McKnight's collection, "Nantucket," include: