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This seventh exhibition in the series Twentieth Century American Sculpture
at the White House is subtitled Inspired by Rodin. The French sculptor Auguste
Rodin (1840 - 1917) created highly original figure studies that have inspired
generations of American artists. The twelve works on view in the Jacqueline
Kennedy Garden, selected from public collections in the Northeast, are indebted
to Rodin's ability to capture the moods and manners of the human body.
While Rodin worked in Paris in the late 19th and early 20th centuries, his
importance was quickly understood in the United States. Numerous American
artists, such as Malvina Hoffman, Andrew O'Connor, and William Zorach,
responded to his creative energies. More recently, contemporary artists whose
work focuses on the body, including Louise Bourgeois, Willem de Kooning, and
George Segal, can credit the power of Rodin's imagination in their own
work. With the profound ability to fuse the division between figuration and
abstraction, Rodin has engaged those who employ either style. Non-representational
artists who evoke the figure, like Stephen De Staebler, Bryan Hunt, and Isamu
Noguchi, have found in Rodin a guide to diverse aesthetic issues concerning
balance, gesture, scale, materials, and public installation.
We hope that visitors to the White House will be moved by this exhibition,
for it is the ongoing creative effort of American sculptors to imbue their
work with challenges to the viewer, to provoke us to make fresh discoveries.
On behalf of the Trustees of the Brooklyn Museum of Art, I wish to express
our gratitude to President and Mrs. Clinton for the honor of organizing this
exhibition, one in a series conceived by Mrs. Clinton that reflects her own
deep commitment to the art of our time. We are grateful as well to Iris Cantor
and the Iris and B. Gerald Cantor Foundation for their support. Mrs. Cantor
and her late husband, Bernie, philanthropists and distinguished friends to
many American museums, have bestowed their generosity on all who have the
pleasure of visiting this exhibition. Our good friend J. Carter Brown has
given us his wise counsel throughout the planning of this project, for which
we are most appreciative.
Since 1994, my colleague museum directors Peter C. Marzio, George Neubert,
Rusty Powell, Martin Sullivan, Marcia Tucker, and Townsend Wolfe have organized
outstanding exhibitions in the Jacqueline Kennedy Garden; their contributions
have been significant to our present planning. At the Brooklyn Museum of Art,
the team of Elizabeth Easton, Linda Ferber, Charlotta Kotik, Ken Moser, and
Brooke Kamin Rapaport coordinated the selection and received extraordinary
support from the expertise of White House Curator Betty Monkman and her able
staff.
We salute the achievement of the artists represented in this White House
exhibition. American artists have always been at the forefront of innovation
and have been critical to sustaining our nation's cultural energy.
Arnold L. Lehman
Director
Brooklyn Museum of Art
New York
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